I like this record. But not a ton. Its brevity (26 minutes) allows for me to play it and not commit too long to Colorlist's occasional missteps, which is nice because I like what the band is up to. The track with the Tortoise guitar player is smokin'. My review is ok. I love the Serein label.
The Fastest Way To Become The Ocean definitely fits the bill as a spring time record. There are darker undertones from the winter beneath the surface, cobwebs to brush away, seeds in the ground that we have worried will not survive the frost, but in the end, the pastels and dewy wonder of a fresh start pervades. The last track “What We Have Left” features some light hearted vocals from Liz Payne, and while the track borders on being silly, knowing what Colorlist were going for helps the track’s disparity make more sense. Still, when taken in context with the longer suites of burgeoning sax revelations, “What We Have Left” feels out of place, like it belongs somewhere different - like Sesame Street. The beef of the EP is great, and the two shorter tracks kind of fill in the gaps with decent material, leaving the entire album feeling like a collection of good music by Colorlist, but not as cohesive as hoped for. EPs, however, are the battleground for experimentation, and given the talent and risks that this band is willing to take, I delight in the next journey they go on.
2 comments:
sesame street?
i guess the brevity of this review allowed for me to make it all the way through without getting too annoyed at the missteps too.
we make a recording that's only 26 minutes long and people STILL don't have the span to really listen all the way through...
What's wrong with Sesame Street? I love it.
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